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PERFORMANCE ARC 2017- 3rd year
BLACK SKIN, WHITE MASKS
Digital Arts ARC - 2016/2017
Pavillon Bosio has initiated a Research and Creation Workshop (ARC) dedicated to digital art since September 2016, within the partnership of the digital imaging department of Aix- Marseille University along with the Gamerz Lab in Aix-en-Provence. The project is supposed to unfold for two years. In a first period, it will interrogate the space of exhibition on the occasion of a show at the Vasarely Foundation in April 2017. Then, the project will extend to the stage in 2018 with the presentation of several projects at the Ballets de Monte-Carlo studios during the Imprévus _ Unforeseen Events. The first cycle, which starts for the 12th edition of the Gamerz Festival in Aix-en Provence (http://www.festival-gamerz.com/gamerz12/) is related to the conception, the production and the exhibition of Digital Art projects. This first encounter in Aix gathering the different members of the project (the pedagogical team, artists, contributors, students) was dedicated to audio-visual interviews of the invited artists of the festival. This step allowed the students to meet and question the important figures of the field of French and foreign digital art _ such as Ewen Chardronnet, Konrad Becker, Regina de Miguel, Collectif RYBN, Špela Petrič, Miha Turšič, Dunja Zupančič, Dragan Živadinov, 1024 Architecture… Alongside, they pointed out different postures facing the world and the use of digital technology. This year, we have chosen to work with curator Ewan Chardronnet’s thematic for the exhibition at the Vasarely Foundation. Using this almost epistemological question, we initiated a historical, reflexive and prospective work. This project broaches and questions the paradigm of science and of our perceptions thus identifying contemporary issues. Four collective projects were drawn out from mixed Aix-Monaco groups who attempt to hinge this art/science relationship through the shape of interactive multimedia installations that will be presented in April 2017 for an exhibition at the Vasarely Foundation. Schedule : April 2017 Workshop – Pavillon Bosio/Monaco Intervenants : Damien Sirrentino, Fabrice Metai, Quentin Destieux, Grégoire Lauvin, Stephane Couzot March 2017 Exhibition at the Vasarely Foundation
LECTURE – Marc Cérisuelo – 2017 MARCH the 1rst 2017
After training in literature and philosophy, which disciplines he has both taught in secondary education in Paris, he soon specialised in cinematographic studies by following, notably, Christian Metz’s seminar at the EHESS and teaching history and aesthetic of cinema at Paris III. After presenting his doctorate thesis in 1998 and becoming PhD in 2007, he currently collaborates with Critique et Positif review. Both lecturer and author, he is altogether a critic, a historian and especially a cinema theorist. His work relates to the notions of meta-movie and cine-philosophy as well as to the fields of research that encompass historical poetics of movies and studies of cultural shifting in cinema.
LECTURE - Philippe GESLIN - 2017
Philippe Geslin is an ethnologist. He studied at Sorbonne University and at the Ecole des Hautes Etudes en Sciences Sociales de Paris. He is the author of a doctoral thesis in social anthropology and ethnology lead by anthropologist Marice Godelier. He spent one year in the University of Columbia New York, followed a course in ergonomics at the Conservatoire National des Arts et Métiers de Paris under the supervision of Alain Wisner, one of the founders of ergonomics, for whom he was an assistant. He achieved a post-doctoral course at the School of Cognitive Sciences in Sussex University of Brighton. Since 1990, within human and social sciences, he contributes to the development of anthropotechnology throughout many fields of research and intervention in Africa, Asia, South America and Greenland. Alongside, he teaches within this domain at the Institut d’ethnologie de l’Univeristé de Neuchâtel, in renowned schools (Chaire Renault HEC & Ecole Polytechnique de Paris – Ecole Polytechnique Fédérale de Lausanne – EPFL) and within the Haute Ecole Arc Ingénierie where anthropology underlies the three years of education. He founded the first laboratory of research in anthropotechnology “EDAN” re-named “Groupe de Compétences C2U” today within the Univeristy of Applied Sciences, Switzerland. He also co-founded the Neuchâtel Fab-Lab. www.philippegeslin.com
LECTURE - Brice MATTHIEUSSENT – October 2016
Brice Matthieussent is a French writer, translator and editor. He is also an Aesthetics professor and the author of several critical essays. After graduating from the Ecole Supérieure des Mines of Paris in 1973, Brice Matthieussent gets his Phd in philosophy (aesthetics) in 1977. Since the end of the 1970s, he is dedicated to translating Anglophone and more particularly American literature to French language. He thus translated famous names from contemporary literature such as Charles Bukowski, John Fante, Paul Bowles, Jim Harrison, Bret Easton Ellis, Thomas McGuane, Robert McLiam Wilson and Richard Ford. Awarded in 1986 with the Maurice-Edgar Coindreau prize for the whole of his translations during that year, he was granted with the UNSECO- Françoise Gallimard prize for Eureka Street by Robert McLiam Wilson in 2001. In 2013, he receives the Jules Janin prize from the Académie Française for his translation of Jim Harrison’s work. Since 1990, he is also head of the collection “Fictives” at the Christian Bourgois Editions, where he essentially publishes American fiction. Moreover, Brice Matthieussent is a teacher of aesthetics at the Ecole Supérieure des Beaux-Arts de Marseille. He also writes many critical texts and collaborates with different magazines, such as Art Press, Le Magazine Littéraire, La Revue d’Esthétique and Les Episodes. The lecture will take place in the Pavillon Bosio, on December 5th 2016.
CERAMICS ARC – ECART – INCERTAIN-GENRES 2015/2016
For each AERC (European Research Workshop in Ceramics) within the ECART network, the exhibition closes the session and comes with a publication. For this session, the format of the edition has evolved from a book to an online site. This site dedicated to the earliest project of the ECART network feeds the documentation of the workshops, meetings and trips. Moreover, it shows the student’s works as well as their layout within the exhibition Incertains Genres. This online space also provides reports of the connections generated by the successive meetings. The flexibility of its format allows exhaustiveness and therefore constitutes a record of the program’s editions since 2009. Access to the digital edition.
CONSTRUCTION STUDIO – 3rd YEAR – 10/2016
The technical issues that come out of the production of a model from its scaled drawing will be examined. A reflection on responsible architecture, within our political context where 75 % of humanity lives in cities or megalopolises, will accompany the achievements. Method The Conception of a building through a series of sketches, followed by the drawing of blueprints will lead to the cutting and assembly of material within the workshop. Aims Producing a more or less complex volume to acquire the technical knowledge for the conception and construction of models will question contemporary architecture and allow the students to assimilate the logics of assembling.